About
The University of South Carolina is one of fewer than ten institutions to hold a complete set of Piranesi’s posthumous Opere (1835-9), a set of twenty-nine elephant-folio volumes, housed in the Irvin Department of Rare Books and Special Collections, that assembles all of his individual publications (such as Views of Rome and Imaginary Prisons). Alternatively historical and imaginative, Piranesi’s representations of ruins are exercises in rigorous archaeological investigation as much as they are fanciful experiments in urban imagination. “The Digital Piranesi” aspires to appeal to these two elements of Piranesi’s own works—the historical and the imaginative—and to explore the ways that Piranesi’s works seem to predict many elements of digital design. His illustrations of ruins and crypts are immersive, his architectural studies often consist of multiple layered images, and his maps and ruins include detailed alphabetic keys. His indexed maps, annotated architectural studies, immersive interiors, and multi-image views push the limits of the printed page. While his earliest works were individual engravings of Roman ruins marketed towards visitors on the grand tour, he quickly began producing increasingly larger images and adding not only textual keys but also indices, prefaces, and dissertations. Pushing against the limits not only of the printed page but also of the bound book, his multi-plate engravings become elaborate foldouts in bound volumes, and the references in his maps and indices direct users through unnumbered pages and between different publications. His works are rare—his complete works are exceedingly so—and they constitute a colossal corpus with expansive pedagogical and scholarly potential lacking in any comprehensive searchable index. “The Digital Piranesi” aims to make the content and connections in this rich body of work easily accessible and searchable.
In addition, this project aims to share and generate new scholarly discussions of Piranesi’s images. Collectively, his works have been the subject of substantial critical comment; individually, though, his etchings stand up to close analysis that goes beyond current scholarship. Beginning with his Views of Rome and, from Summer 2023 through Fall 2024, the first volume of his Roman Antiquities, essays on each of his images are being written by an interdisciplinary team of scholars listed below.
Authors
Jeanne Britton
Cosette Bruhns Alonso
Sean Burrus
Penny Combe
Aria Dal Molin
Mike Gavin
Sofia Hernandez
Anna House
Zoe Langer
Mireille Linck
Carla Scagliosi
Project Staff
Mackenzie Anderson (2019-2020)
Jessica Atkins, Magellan Scholar (2017-2019)
Mallory Baskin (2017-2018)
Constance Caddell (2017-2018)
Diem Dao (2018-2019)
T. Zachary Frazier (2018-2019)
Avery Freeman (2019-2022)
Erin Jones (2018)
Adams Keefer (2022- )
Alexis Kratzer (2018-2019)
Harith Kumte (2019-2022)
Clio Lang (2020-2022)
Daniel Neath (2020-2021)
Walt Pach (2021-2023)
Adiv Sivakumar (2018)
Aniruth Sivakumar (2019-2022)
Chris Terry, Magellan Scholar (2017-2019)
Nathalie Watson (2017-2018)
Lindsay Wright (2019-2021)
Advisory Board and Faculty Members
Alexandre Bonafos, French, USC
Kate Boyd, Digital Collections, USC
Lydia Brandt, Art and Architectural History, USC
Curtis Fletcher, Ahmanson Lab, Sidney Harman Academy for Polymathic Study, University of Southern California
Hunter Gardner, Classics, USC
Andrew Graciano, Art History, USC
Carol Harrison, History, USC
Anna House, Art History, USC
Lawryn Henderson, Preservation Specialist, USC
Evan Meaney, Media Arts, USC
Heather Hyde Minor, Art History, University of Notre Dame
Aria dal Molin, Italian, USC
Megan Oliver, Digital Collections, USC (now University of Missouri, Kansas City)
John Pinto, Princeton, History of Art and Archaeology, Emeritus, Princeton University
Jason Porter, School of Journalism and Mass Communications, USC
Rebecca Zorach, Art History, Northwestern University
