The Art in Context

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Version 34

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title	dcterms:title	The Art in Context
content	sioc:content	Breakdown by Department Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through circle graphs which depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. . Timeline Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore. It should be noted here that even though in 1948 there was only one photography acquisition, there is no available media on the MoMA’s website for that piece. Thus, we determined that the second-lowest departmental category (painting and sculpture) should be represented in its place.
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Version 33

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title	dcterms:title	The Art in Context
content	sioc:content	Breakdown by Department Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through circle graphs which depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. . Timeline Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore. It should be noted here that even though in 1948 there was only one photography acquisition, there is no available media on the MoMA’s website for that piece. Thus, we determined that the second-lowest departmental category (painting and sculpture) should be represented in its place.
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Version 32

resource	rdf:resource	https://scalar.usc.edu/works/moma-19401949/the-art.32
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title	dcterms:title	The Art in Context
content	sioc:content	Breakdown by Department Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through circle graphs which depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. .   Timeline Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore. It should be noted here that even though in 1948 there was only one photography acquisition, there is no available media on the MoMA’s website for that piece. Thus, we determined that the second-lowest departmental category (painting and sculpture) should be represented in its place.
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Version 31

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title	dcterms:title	The Art in Context
content	sioc:content	Breakdown by Department Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through circle graphs which depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. .   Timeline Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore. It should be noted here that even though in 1948 there was only one photography acquisition, there is no available media on the MoMA’s website for that piece. Thus, we determined that the second-lowest departmental category (painting and sculpture) should be represented in its place.
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Version 30

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title	dcterms:title	The Art in Context
content	sioc:content	Breakdown by Department Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through circle graphs which depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. .   Timeline Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore. It should be noted here that even though in 1948 there was only one photography acquisition, there is no available media on the MoMA’s website for that piece. Thus, we determined that the second-lowest departmental category (painting and sculpture) should be represented in its place.
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Version 29

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title	dcterms:title	The Art in Context
content	sioc:content	Breakdown by Department Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through circle graphs which depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. .   Timeline Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore. It should be noted here that even though in 1948 there was only one photography acquisition, there is no available media on the MoMA’s website for that piece. Thus, we determined that the second-lowest departmental category (painting and sculpture) should be represented in its place.
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Version 28

resource	rdf:resource	https://scalar.usc.edu/works/moma-19401949/the-art.28
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title	dcterms:title	The Art
content	sioc:content	Breakdown by Department Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through circle graphs which depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. .   Timeline Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore. It should be noted here that even though in 1948 there was only one photography acquisition, there is no available media on the MoMA’s website for that piece. Thus, we determined that the second-lowest departmental category (painting and sculpture) should be represented in its place.
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Version 27

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title	dcterms:title	The Art
content	sioc:content	Breakdown by Department Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through circle graphs which depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. .   Timeline Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore. It should be noted here that even though in 1948 there was only one photography acquisition, there is no available media on the MoMA’s website for that piece. Thus, we determined that the second-lowest departmental category (painting and sculpture) should be represented in its place.
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Version 26

resource	rdf:resource	https://scalar.usc.edu/works/moma-19401949/the-art.26
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title	dcterms:title	The Art
content	sioc:content	Breakdown by Department Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through pie charts in two different ways: in one instance, the visualization groups the first five years of the decade into one row, and the other shows each year by itself. All of the circle graphs depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. .   Timeline Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore. It should be noted here that even though in 1948 there was only one photography acquisition, there is no available media on the MoMA’s website for that piece. Thus, we determined that the second-lowest departmental category (painting and sculpture) should be represented in its place.
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Version 25

resource	rdf:resource	https://scalar.usc.edu/works/moma-19401949/the-art.25
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title	dcterms:title	The Art
content	sioc:content	Breakdown by Department Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through pie charts in two different ways: in one instance, the visualization groups the first five years of the decade into one row, and the other shows each year by itself. All of the circle graphs depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. .   Timeline Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore.
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Version 24

resource	rdf:resource	https://scalar.usc.edu/works/moma-19401949/the-art.24
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title	dcterms:title	The Art
content	sioc:content	Breakdown by Department Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through pie charts in two different ways: in one instance, the visualization groups the first five years of the decade into one row, and the other shows each year by itself. All of the circle graphs depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. .   Timeline Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore.
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Version 23

resource	rdf:resource	https://scalar.usc.edu/works/moma-19401949/the-art.23
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title	dcterms:title	The Art
content	sioc:content	Breakdown by Department Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through pie charts in two different ways: in one instance, the visualization groups the first five years of the decade into one row, and the other shows each year by itself. All of the circle graphs depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. .   Timeline Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore.
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Version 22

resource	rdf:resource	https://scalar.usc.edu/works/moma-19401949/the-art.22
versionnumber	ov:versionnumber	22
title	dcterms:title	The Art in Context
content	sioc:content	Breakdown by Department Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through pie charts in two different ways: in one instance, the visualization groups the first five years of the decade into one row, and the other shows each year by itself. All of the circle graphs depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. .   Timeline Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore.
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Version 21

resource	rdf:resource	https://scalar.usc.edu/works/moma-19401949/the-art.21
versionnumber	ov:versionnumber	21
title	dcterms:title	The Art
content	sioc:content	Breakdown by Department Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through pie charts in two different ways: in one instance, the visualization groups the first five years of the decade into one row, and the other shows each year by itself. All of the circle graphs depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. .   Timeline Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore.
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Version 20

resource	rdf:resource	https://scalar.usc.edu/works/moma-19401949/the-art.20
versionnumber	ov:versionnumber	20
title	dcterms:title	The Art
content	sioc:content	Breakdown by Department Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through pie charts in two different ways: in one instance, the visualization groups the first five years of the decade into one row, and the other shows each year by itself. All of the circle graphs depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. .   Timeline Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore.
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Version 19

resource	rdf:resource	https://scalar.usc.edu/works/moma-19401949/the-art.19
versionnumber	ov:versionnumber	19
title	dcterms:title	The Art
content	sioc:content	Breakdown by Department Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through pie charts in two different ways: in one instance, the visualization groups the first five years of the decade into one row, and the other shows each year by itself. All of the circle graphs depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. .   Timeline Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore.
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Version 18

resource	rdf:resource	https://scalar.usc.edu/works/moma-19401949/the-art.18
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title	dcterms:title	The Art
content	sioc:content	Breakdown by Department Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through pie charts in two different ways: in one instance, the visualization groups the first five years of the decade into one row, and the other shows each year by itself. All of the circle graphs depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. .   Timeline Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore.
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Version 17

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title	dcterms:title	The Art
content	sioc:content	Breakdown by Department Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through pie charts in two different ways: in one instance, the visualization groups the first five years of the decade into one row, and the other shows each year by itself. All of the circle graphs depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. .   Timeline Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore. . . .
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created	dcterms:created	2020-05-01T08:55:17-07:00
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Version 16

resource	rdf:resource	https://scalar.usc.edu/works/moma-19401949/the-art.16
versionnumber	ov:versionnumber	16
title	dcterms:title	The Art
content	sioc:content	Breakdown by Department Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through pie charts in two different ways: in one instance, the visualization groups the first five years of the decade into one row, and the other shows each year by itself. All of the circle graphs depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. .   Timeline Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore. . . .
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created	dcterms:created	2020-05-01T08:54:44-07:00
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Version 15

resource	rdf:resource	https://scalar.usc.edu/works/moma-19401949/the-art.15
versionnumber	ov:versionnumber	15
title	dcterms:title	The Art
content	sioc:content	[INTRO TO ART HERE] Department   Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through pie charts in two different ways: in one instance, the visualization groups the first five years of the decade into one row, and the other shows each year by itself. All of the circle graphs depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. . . Timeline   Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore. . . .
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created	dcterms:created	2020-05-01T08:53:32-07:00
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Version 14

resource	rdf:resource	https://scalar.usc.edu/works/moma-19401949/the-art.14
versionnumber	ov:versionnumber	14
title	dcterms:title	The Art
content	sioc:content	[INTRO TO ART HERE] Department   Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through pie charts in two different ways: in one instance, the visualization groups the first five years of the decade into one row, and the other shows each year by itself. All of the circle graphs depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. . . Timeline   Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore. . . .
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created	dcterms:created	2020-05-01T08:52:42-07:00
type	rdf:type	http://scalar.usc.edu/2012/01/scalar-ns#Version

Version 13

resource	rdf:resource	https://scalar.usc.edu/works/moma-19401949/the-art.13
versionnumber	ov:versionnumber	13
title	dcterms:title	The Art
content	sioc:content	[INTRO TO ART HERE] Department   Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through pie charts in two different ways: in one instance, the visualization groups the first five years of the decade into one row, and the other shows each year by itself. All of the circle graphs depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. . . Timeline   Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore. . . .
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created	dcterms:created	2020-05-01T08:52:05-07:00
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Version 12

resource	rdf:resource	https://scalar.usc.edu/works/moma-19401949/the-art.12
versionnumber	ov:versionnumber	12
title	dcterms:title	The Art
content	sioc:content	[INTRO TO ART HERE] Department   Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through pie charts in two different ways: in one instance, the visualization groups the first five years of the decade into one row, and the other shows each year by itself. All of the circle graphs depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. . . Timeline   Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore. . . .
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was attributed to	prov:wasAttributedTo	https://scalar.usc.edu/works/moma-19401949/users/19204
created	dcterms:created	2020-05-01T08:51:35-07:00
type	rdf:type	http://scalar.usc.edu/2012/01/scalar-ns#Version

Version 11

resource	rdf:resource	https://scalar.usc.edu/works/moma-19401949/the-art.11
versionnumber	ov:versionnumber	11
title	dcterms:title	The Art
content	sioc:content	[INTRO TO ART HERE] Department   Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through pie charts in two different ways: in one instance, the visualization groups the first five years of the decade into one row, and the other shows each year by itself. All of the circle graphs depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. . Timeline   Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore. . . .
default view	scalar:defaultView	gallery
was attributed to	prov:wasAttributedTo	https://scalar.usc.edu/works/moma-19401949/users/19204
created	dcterms:created	2020-05-01T08:51:03-07:00
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Version 10

resource	rdf:resource	https://scalar.usc.edu/works/moma-19401949/the-art.10
versionnumber	ov:versionnumber	10
title	dcterms:title	The Art
content	sioc:content	[INTRO TO ART HERE] Department   Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through pie charts in two different ways: in one instance, the visualization groups the first five years of the decade into one row, and the other shows each year by itself. All of the circle graphs depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. . Timeline   Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore. . . .
default view	scalar:defaultView	gallery
was attributed to	prov:wasAttributedTo	https://scalar.usc.edu/works/moma-19401949/users/19204
created	dcterms:created	2020-05-01T08:50:12-07:00
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Version 9

resource	rdf:resource	https://scalar.usc.edu/works/moma-19401949/the-art.9
versionnumber	ov:versionnumber	9
title	dcterms:title	The Art
content	sioc:content	[INTRO TO ART HERE] Department   Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through pie charts in two different ways: in one instance, the visualization groups the first five years of the decade into one row, and the other shows each year by itself. All of the circle graphs depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. . Timeline   Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore. . . .
default view	scalar:defaultView	gallery
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created	dcterms:created	2020-05-01T08:49:29-07:00
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Version 8

resource	rdf:resource	https://scalar.usc.edu/works/moma-19401949/the-art.8
versionnumber	ov:versionnumber	8
title	dcterms:title	The Art
content	sioc:content	[INTRO TO ART HERE] Department   Below you will see our fourth visualized bit of data, that of art acquired by the MoMA as it pertains to the department each year between 1940 and 1949. We have chosen to represent this information through pie charts in two different ways: in one instance, the visualization groups the first five years of the decade into one row, and the other shows each year by itself. All of the circle graphs depict the date acquired, number of acquisitions, and associated department. Over the first half of this decade, it is not clear which department was the most valued, as “Drawings and Prints,” “Photography” as well as “Architecture & Design” all had good years in terms of numbers. However, after the war had ended, “Drawings & Prints” made up the majority of acquisitions each year until the end of the decade. Notably, “Film” is not well-represented in the first half of the decade, and it is absent from the second half. . . . . Timeline   Below you will see our fifth visualized bit of data, that of the first selected pieces by the MoMA as they pertain to a particular department each year between 1940 and 1949. Represented within the interactive timeline are works of art that signify either the highest number of acquisitions or the lowest for that year; please peruse the interface below to get started and explore. . . .
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created	dcterms:created	2020-04-30T14:41:28-07:00
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Version 7

resource	rdf:resource	https://scalar.usc.edu/works/moma-19401949/the-art.7
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title	dcterms:title	The Art
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created	dcterms:created	2020-04-29T08:21:03-07:00
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Version 6

resource	rdf:resource	https://scalar.usc.edu/works/moma-19401949/the-art.6
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title	dcterms:title	The Art
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created	dcterms:created	2020-04-23T12:33:15-07:00
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Version 5

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title	dcterms:title	The Art
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created	dcterms:created	2020-04-23T12:31:41-07:00
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Version 4

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title	dcterms:title	The Art
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created	dcterms:created	2020-04-23T12:31:36-07:00
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Version 3

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title	dcterms:title	The Art
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created	dcterms:created	2020-04-23T12:28:41-07:00
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Version 2

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title	dcterms:title	The Art
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created	dcterms:created	2020-04-23T07:42:39-07:00
type	rdf:type	http://scalar.usc.edu/2012/01/scalar-ns#Version

Version 1

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title	dcterms:title	The Art
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