Of Cotton, Clay, and Water: A Black retelling of the Anthropocene narrative (2026)

Clay as narrative/law

Laws and narratives have appeared miraculously and exist perpetually in stone across religions and literature. In the Old Testament, Moses was given the Ten Commandments by God, 10 rules to live by etched into two stone tablets, on the top of a mountain. In The Broken Earth Trilogy, the lore tablets loom over the narrative. They are quoted at the end of chapters, alluded to in dialogue, and only at the very end does the reader understand (in part) their origin. However, both the Ten Commandments and the lore tablets are rules written with language and words. They were both misunderstood and changed, some parts listened to and others ignored. 



This vase tells a narrative without any words. While the stone was still soft, I carved the narrative in. The narrative on this piece of stone comes from someone who is inside of it, rather than being delivered by an omnipotent and all-knowing God or studied lorist. Still, I had complete agency over the story I was going to tell. I played the role of lorist while I carved the narrative. What to say, what to leave out? 

 This retelling of the Anthropocene will definitely be misunderstood. 



(reading and interpreting) 

This page has paths:

  1. Clay as narrative/law Evelyn Logan
  2. Clay as narrative/law Evelyn Logan
  3. Clay as narrative/law Evelyn Logan
  4. Clay as narrative/law Evelyn Logan
  5. Clay as narrative/law Evelyn Logan
  6. Clay as narrative/law Evelyn Logan
  7. Clay as narrative/law Evelyn Logan
  8. Clay as narrative/law Evelyn Logan
  9. Clay as narrative/law Evelyn Logan
  10. Clay as narrative/law Evelyn Logan
  11. Clay as narrative/law Evelyn Logan
  12. Clay as narrative/law Evelyn Logan
  13. Of Cotton, Clay, and Water: A Black retelling of the Anthropocene narrative Evelyn Logan

Contents of this path:

  1. Clay as narrative/law
  2. Clay as a finite element
  3. Clay as a memory (archive)
  4. The Vase Complete

This page references: