Navigating Digital Text, Performance, & Historical Resources
Main Menu Overview by Sujata Iyengar and Nathalie Vienne-Guerrin 'Henry V' : A Guide to Early Printed Editions by Daniel Yabut “with rough and all-unable pen…” : Source Study and Historiography in Shakespeare’s 'Henry V' by Mikaela LaFave Pistol and Monsieur Le Fer: An Anglo-French Encounter by Charlène Cruxent Université Paul-Valéry Montpellier 3, IRCL, UMR5186 CNRS Making & Unmaking National Identity: Race & Ethnicity in Shakespeare’s 'Henry V' by Nora Galland 'Henry V' Onstage: From the Falklands War to Brexit (1986-2018) by Janice Valls-Russell The Problematic Reception of 'Henry V' in France: A Case Study by Florence March “For ’tis your thoughts that now must deck our kings”: Henry’s Popular Afterlives by Philip Gilreath “On your imaginary forces work”: How 'Henry V'’s Chorus Changes the Play Text during Olivier’s Film by Julia Koslowsky A Guide to Teaching 'Henry V' and its Sources by Hayden Benson Study Questions Key Scenes and Speeches from 'Henry V' Back MatterMr. W. Davidge as Pistol
1 2019-02-20T20:23:32-08:00 Lucas Robert Vaughn 2fd95f848abe6ef38fdfcb397a83f65216883bbd 29603 5 A digital scan of a drawing of Mr. W. Davidge as Pistol. meta 2019-06-29T18:21:41-07:00 Folger Shakespeare Library Digital Image Collection Mid-19th Century Image Pistol Meade Bros, photographer Folger Shakespeare Library English Drawing Sherratt, Thomas, printmaker N/A Hayden Benson 7d69b3398da384eb9196529b557c5a84032c3d8cMedia
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Version 5
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| versionnumber | ov:versionnumber | 5 |
| title | dcterms:title | Mr. W. Davidge as Pistol |
| description | dcterms:description | A digital scan of a drawing of Mr. W. Davidge as Pistol. |
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| source | dcterms:source | Folger Shakespeare Library Digital Image Collection |
| date | dcterms:date | Mid-19th Century |
| type | dcterms:type | Image |
| subject | dcterms:subject | Pistol |
| contributor | dcterms:contributor | Meade Bros, photographer |
| contributor | dcterms:contributor | Folger Shakespeare Library |
| language | dcterms:language | English |
| format | dcterms:format | Drawing |
| creator | dcterms:creator | Sherratt, Thomas, printmaker |
| education level | dcterms:educationLevel | N/A |
This page has tags:
- 1 2019-06-28T13:19:56-07:00 Hayden Benson 7d69b3398da384eb9196529b557c5a84032c3d8c All Images Hayden Benson 2 plain 2019-06-28T13:21:04-07:00 Hayden Benson 7d69b3398da384eb9196529b557c5a84032c3d8c
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Introduction
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Page One Audio File
In Act 4, Scene 4, Pistol, a Londoner fighting in King Henry V’s army, meets the French soldier Monsieur Le Fer in Agincourt, France. Pistol interrogates his French counterpart in order to know his identity, but the communication is made difficult because of the language barrier. A character called “Boy” masters French enough to translate the two men’s words and enables the conversation to take place. Pistol takes Le Fer hostage and promises to free him once the latter gives him a significant amount of money. The French soldier agrees and even appears grateful that Pistol does not kill him on the spot.
Knowing that the scene preceding this encounter displays Henry V galvanizing his troop before the decisive battle, and that the next scene announces the defeat of the French army, Act 4, Scene 4 is the only moment when the audience can observe the confrontation between a British and a French soldier. As such, this scene encapsulates the battle of Agincourt in the play. It reveals the strained Anglo-French relationships during this war: first, through Pistol’s meeting and subsequent disparaging of the Other, the French soldier, and second, through the way in which the English soldier addresses Le Fer. This exchange manifests a linguistic embodiment of the ongoing invasion of France by England. Despite Pistol’s efforts to ridicule Le Fer, the heroic figure of the English soldier is here debunked because Pistol’s words and actions contrast with the warlike attitude of his king.
