HAVC 135B : German Art 1905-1945Main MenuHAVC 135B: German Art, 1905-1945This is the course website for HAVC 135B, Summer Session 2 at the University of California - Santa CruzCourse DescriptionThis is a short blurb about the course.Course BasicsUnit One: "German" Art or Art of the World?In this unit, we will examine the art, culture, and aesthetic philosophy of Germany's 19th century.Unit Two: Spirit, Material, Revolution, and DiscontentUnit Three: Total Control: Art and Culture in Nazi GermanyUnit Four: Cold War Premises: Rebuilding Two GermanysSara Blaylock, UC Santa Cruz90c69acc85f129272be0130feae47fb850768599
How did the art and visual culture of the Third Reich achieve a Gesamtkunstwerk? How did Nazi-era cultural policies instrumentalize art? In what ways do Nazi critiques of modern art as “degenerate” rely on racial typologies and prejudice, as well as ideal
12016-08-23T01:51:35-07:00HAVC 135B48dc63e105cb9494c4b97f5905d76e011b4b6a55101361plain2016-08-23T01:51:35-07:00HAVC 135B48dc63e105cb9494c4b97f5905d76e011b4b6a55Art and visual culture by the third Reich achieved Gesamtkunstwerk in Germany by allowing only nationalistic art, or art that employs the help of national pride and the service of people to the Fatherland. Nazi-era cultural policies instrumentalized art the same way Gesamtkunstwerk was used; visual art was used as a tool to further the cause of nazi era politics, ideas of national pride, serving one’s country militarily, agriculturally, politically, socially, and any other services that suggest allegiance was made through art and normalized so that the people of Germany know it is one’s duty to help their country. Nazi critiques of modern art made a distinction about good art and ‘degenerate’ art from their belief that they were a distinct, favorable race than all other nations of all the World. Nazi Germany also believed to be descendants from the Holy Roman Empire, ideas that perpetuated their idea of a perfected race and applying them in the real world. A ‘spirit’ or cultural renewal was found in Germany through this type of art, because it was a time of unity for Germany; they seemed more unified and proud as a country. There are many ways to just look at an object, especially a Nazi-era object, and see plainly the aesthetics the creator tried to imply, but the history of the object gives it meaning, knowing what the meaning is, is really important if one wants to know the aesthetic.
Contents of this reply:
12016-07-20T11:34:01-07:00Sara Blaylock, UC Santa Cruz90c69acc85f129272be0130feae47fb850768599Guiding Questions: Instructions and Sign Up List14plain2016-09-02T02:19:58-07:00Sara Blaylock, UC Santa Cruz90c69acc85f129272be0130feae47fb850768599