1001 Arabian Nights: Scheherazade by Rimsky Korsakov
1 2016-10-16T12:40:54-07:00 Colin Talvi 11c26e45d2612dc218031a2be4d0a1cd039cb7af 11878 15 An excerpt from a much longer symphonic suite composed by Nikolai Rimsky-Korsakov in 1888 titled Scheherazade after the heroine of the epic. google_maps 2016-10-31T12:49:23-07:00 10/31/16 1001 Arabian Nights YouTube Standard Terms 58°37'39.7"N, 29°55'02.8"E Scalar Multimedia Colin Talvi Colin Talvi 11c26e45d2612dc218031a2be4d0a1cd039cb7afPage
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| title | dcterms:title | 1001 Arabian Nights: Scheherazade by Rimsky Korsakov |
| description | dcterms:description | An excerpt from a much longer symphonic suite composed by Nikolai Rimsky-Korsakov in 1888 titled Scheherazade after the heroine of the epic. |
| content | sioc:content | Scheherazade is a four part symphonic suite completed by Russian composer Rimsky Korsakov in the year 1888. It was inspired by the epic 1001 Arabian Nights and derives its title from the epic's heroine. "Indeed it was said that she had collected a thousand books of histories relating to antique races and departed rulers. She had perused the works of the poets and knew them by heart; she had studied philosophy and the sciences, arts and accomplishments; and she was pleasant and polite, wise and witty, well read and well bred" (Burton 45). Through the use of different instruments and themes, Korsakov weaves a tale of oriental fascination and fairy-tale whimsy for listeners young and old. A major component of the suite is that Korsakov's did not want the music to be scrupulously outlined by the epic, but rather loosely guided by it (Schwarm). Korsakov took the imagery of ancient desert cities and middle eastern culture and channeled it into music that feels exotic to western listeners. Korsakov coupled this with instrumentation representing both the King and Scheherazade herself. The King is introduced in the very beginning of the piece, with a resoundingly bold, brash theme to represent his power. This is answered by the whimsical violin, the personification of the cunning and beautiful Scheherazade. As these two sounds interact with each other, the listener can begin to draw comparisons to the epic. The act of storytelling is an inherent factor of human culture. We have been telling stories for thousands of years for entertainment and educational purposes. As empires and cultures rise and fall, their stories are, for the most part, lost in time. However, we have some stories dating thousands of years ago, such as Gilgamesh and 1001 Arabian Nights. Because these stories are so impactful to the individual, they are remembered, transcribed, and passed down. The art of storytelling in human culture continues its cycle thousands of years after the stories were written. Scheherazade represents the significance of the epic as a medium in developing culture. It specifically shows 1001 Arabian Nights' ability to impact culture thousands of years later and in a completely different part of the world (Russia) than where it was written (the Middle East). Epics have the ability to inspire incredible works of art, and it is important to hold them in a high regard for this ability. Schwarm, Betsy. "Scheherazade." Encyclopedia Britannica Online. Encyclopedia Britannica, 08 Apr. 2016. Web. 09 Oct. 2016. https://www.britannica.com/topic/Scheherazade-by-Rimsky-Korsakov Weinberg, Rob. "Rimsky-Korsakov - Scheherazade: An Exhilarating Journey of Love, Intrigue and Adventure." Classic FM. Classic FM, 12 Apr. 2014. Web. 08 Oct. 2016 |
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| title | dcterms:title | 1001 Arabian Nights: Scheherazade by Rimsky Korsakov |
| description | dcterms:description | An excerpt from a much longer symphonic suite composed by Nikolai Rimsky-Korsakov in 1888 titled Scheherazade after the heroine of the epic. |
| content | sioc:content | The epic 1001 Arabian Nights focuses on a King disenchanted with the seemingly inherent nature of infidelity among women. Disgusted and upset, he decides to take a new wife each night, and then kill them in the morning. He does this until he takes Scheherazade, the daughter of a vizier, as his new wife. Each night, she tells the King a new story, and by retaining his interest in her tales, eludes death by his hand for 1001 nights until he eventually falls in love with her. Scheherazade is a four part symphonic suite completed by Russian composer Rimsky Korsakov in the year 1888. It was inspired by the epic 1001 Arabian Nights and derives its title from the epic's heroine. Through the use of different instruments and themes, Korsakov weaves a tale of oriental fascination and fairy-tale whimsy for listeners young and old. A major component of the suite is that Korsakov's did not want the music to be scrupulously outlined by the epic, but rather loosely guided by it. Korsakov took the imagery of ancient desert cities and middle eastern culture and channeled it into music that feels exotic to western listeners. Korsakov coupled this with instrumentation representing both the King and Scheherazade herself. The King is introduced in the very beginning of the piece, with a resoundingly bold, brash theme to represent his power. This is answered by the whimsical violin, the personification of the cunning and beautiful Scheherazade. As these two sounds interact with each other, the listener can begin to draw comparisons to the epic. Scheherazade represents the significance of the epic as a medium in developing culture. It specifically shows 1001 Arabian Nights' ability to impact culture thousands of years later and in a completely different part of the world than where it was written. Schwarm, Betsy. "Scheherazade." Encyclopedia Britannica Online. Encyclopedia Britannica, 08 Apr. 2016. Web. 09 Oct. 2016. https://www.britannica.com/topic/Scheherazade-by-Rimsky-Korsakov Weinberg, Rob. "Rimsky-Korsakov - Scheherazade: An Exhilarating Journey of Love, Intrigue and Adventure." Classic FM. Classic FM, 12 Apr. 2014. Web. 08 Oct. 2016 |
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| content | sioc:content | The epic 1001 Arabian Nights focuses on a King disenchanted with the seemingly inherent nature of infidelity among women. Disgusted and upset, he decides to take a new wife each night, and then kill them in the morning. He does this until he takes Scheherazade, the daughter of a vizier, as his new wife. Each night, she tells the King a new story, and by retaining his interest in her tales, eludes death by his hand for 1001 nights until he eventually falls in love with her. Scheherazade is a four part symphonic suite completed by Russian composer Rimsky Korsakov in the year 1888. It was inspired by the epic 1001 Arabian Nights and derives its title from the epic's heroine. Through the use of different instruments and themes, Korsakov weaves a tale of oriental fascination and fairy-tale whimsy for listeners young and old. A major component of the suite is that Korsakov's did not want the music to be scrupulously outlined by the epic, but rather loosely guided by it. Korsakov took the imagery of ancient desert cities and middle eastern culture and channeled it into music that feels exotic to western listeners. Korsakov coupled this with instrumentation representing both the King and Scheherazade herself. The King is introduced in the very beginning of the piece, with a resoundingly bold, brash theme to represent his power. This is answered by the whimsical violin, the personification of the cunning and beautiful Scheherazade. As these two sounds interact with each other, the listener can begin to draw comparisons to the epic. Scheherazade represents the significance of the epic as a medium in developing culture. It specifically shows 1001 Arabian Nights' ability to impact culture thousands of years later and in a completely different part of the world than where it was written. Schwarm, Betsy. "Scheherazade." Encyclopedia Britannica Online. Encyclopedia Britannica, 08 Apr. 2016. Web. 09 Oct. 2016. https://www.britannica.com/topic/Scheherazade-by-Rimsky-Korsakov Weinberg, Rob. "Rimsky-Korsakov - Scheherazade: An Exhilarating Journey of Love, Intrigue and Adventure." Classic FM. Classic FM, 12 Apr. 2014. Web. 08 Oct. 2016 |
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| resource | rdf:resource | https://scalar.usc.edu/works/eng-283e-our-premodern-epics/a-thousand-and-one-arabian-nights-1.1 |
| versionnumber | ov:versionnumber | 1 |
| title | dcterms:title | A Thousand and One Arabian Nights |
| description | dcterms:description | 1001 Nights and its Impact on Russian Culture |
| default view | scalar:defaultView | google_maps |
| was attributed to | prov:wasAttributedTo | https://scalar.usc.edu/works/eng-283e-our-premodern-epics/users/13674 |
| created | dcterms:created | 2016-10-16T12:40:54-07:00 |
| type | rdf:type | http://scalar.usc.edu/2012/01/scalar-ns#Version |
| spatial | dcterms:spatial | 58°37'39.7"N, 29°55'02.8"E |