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Critically Queer: A Collection of Queer Media Critiques and Character Analyses

Vol II

Nathian, Author

This comment was written by Jamieson Price on 13 Jan 2021.

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Songly

Exception taken right off the bat with the laughably idiotic suggestion that its heterosexism takes precedence of the popularity gained by its incredible quality. Its issues are in no way, shape or form more prominent, important to not or vital than its countless success, and your suggestion to the contrary or any such insinuation that its the flaws or other aspects of its sexual and romantic dynamics are in any way, shape or form more important than its flaws is absolute asinine nonsense across the board. And while the relationship between Nana and Hachi is obviously absolutely paramount to its worth and success, the suggestion that it's the only thing the gives the series "significance despite its flaws" is similarly nothing more than a festering piles of absolute bull ****. It's that, in tandem with its masterful character writing, incredibly endearing and broad range of personalities, acutely poignant and quietly tragic plot progressions, painfully gripping humanity,, artful visual thematic delivery, excellent direction and so much more that make it the fantastic series that it is and give it significance as a phenomenal romance story by any standard. It is also these among other things, and not even remotely just its relative ease of accessibility, that have made it one of the most beloved and popular romance stories in all of anime. And whatever faults it has are very few and far between, in no way, shape or form significant, and utterly quashed by its many superlatives elements. That, like all else I've stated here, is a fact, while each and every isolated you statement, suggestion or insinuation you've made to the contrary was nothing but painfully idiotic, blatantly untrue and veritably asinine ******* horse **** that proves you understand nothing about the series, its appeal, its quality or the reasons for its incredible success.

You're further proof that the words about and so-called "critiques" of marvelous artistic works by random irrelevant internet nobodies with no comprehension, appreciation, understanding or respect for art--like you--mean and are worth absolutely nothing--like your article and every negative suggestion you made about this masterpiece within. Educate yourself before you spout such nonsense again. Permanently leaving and reading no replies so this is our last contact. Deal with it.
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Nana and Nana: A Queer Critical Critique (13 January 2021)
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