Jardin de otoño (1983, Inner Gardens) depicts the constraining systems of gender and sexual formation to the telenovela or soap opera so popular in Latin America. The two main characters of the play—two middle aged women who have lived together for twenty years named Griselda and Rosalia—spend every afternoon in front of the television passionately involved in the ups and downs of their adored hero, Marcelo-the-mechanic.

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