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Holy Terrors

Latin American Women Perform

Diana Taylor, Alexei Taylor, Authors

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Bibliography

FOMMA

Underiner, Tamara. “The Demons Nun: FOMMA and the Embodied Politics of Gendered Visibility in Mayan Mexico.” Theatre Research International v. 35 no. 2 (July 2010). P 178-82.

Myers, Robert. “Mayan women find their place is on the stage.” New York Times (Late New York Edition) (September 28 1997) p 4 (Sec 2).

Case, Sue-Ellen; Taylor, Diana. “Introduction: Actions of Transfer.” Theatre Research International. V. 35 no. 2 (July 2010) p. 99-110.

Hernandez-Avila, Ines. “Performing Ri(gh)t(e)s: (W)Riting the Native (In and Out of) Ceremony.” Theatre Research International. V. 35 no. 2 (July 2010) p. 139-51.

Foster, Catherine. Globe Staff. Mar 31,2006. F. 6.

Underiner, Tamara L. “Unmasking Mayan Mexico.” American Theatre. May/Jun 2005 22(5) 28.

Broadman, Anthony. “Women’s plight dramatized.” Arizona Daily Star. Mar 8, 2003 E. 5.

Ferriss, Susan. “Theater troupe takes message, manna to Mexico’s poor Personal dramas: The all-woman company taps issues its audience knows firsthand, like rape, child abuse and poverty.” The Atlantic Journal the Atlanta Constitution. Jun 27, 1999. C. 2.

Ferris, Susan. “Taking a dramatic stance.” Austin American Statesman. Jun 20, 1999. A. 17.
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