The Role of Artistic Creativity in the Lives of Israeli Emigres in Los AngelesMain MenuMalka Nediviby Mahsa Gerami and Rachel ElyaszadehAdi Shapiraby Tal Hauser and Victoria PelmanYoella Raziliby James GaoMeital Yaniv: Artistic Expression of Liminalityby Kori Decker and Timna NaimSam FirstenbergCreated by Will Taylor and Müge SolakDan Katzir and Ravit Markusby Ryan Davidson and Jacob LahanaNissim Natiby Joseph Trainer and Sagi YonatyVictoria Pelmanby Joseph Trainer and Sagi YonatyAbout this ExhibitCaroline Luce15876dd2f73462af784ac961ee54f3b5170890ce
Yiddish Theater: A Love Story (2006), still 1
12017-05-13T13:13:56-07:00Caroline Luce15876dd2f73462af784ac961ee54f3b5170890ce2251The main subject of Yiddish Theater: A Love Story, Zipporah Spaisman, in her kitchen on the first night of Hanukkah. Still from Yiddish Theater: A Love Story, Director: Dan Katzir, 2006, Documentary.plain2017-05-13T13:13:56-07:00Caroline Luce15876dd2f73462af784ac961ee54f3b5170890ce
In the documentary, Yiddish Theater: A Love Story (Director: Dan Katzir, 2006, Documentary Film.), Katzir and Markus record the story of the ever-rarer Yiddish theater performers in New York City. Yiddish, a language written in Hebrew script which fuses Hebrew, German, and other Slavic languages, was once spoken by over 11 million Ashkenazi Jews (Jews from Central and Eastern Europe). The Holocaust affected many Ashkenazi Jews, and as a result, Yiddish became an endangered language. With few people understanding Yiddish, the centuries old tradition of Yiddish Theater was in jeopardy of going out of business. In Yiddish Theater, Katzir and Markus follow the story of one elderly Jewish woman, Zipporah Spaisman, and her quest to save her Yiddish theater. Taking place during the eight days of the Jewish holiday Hanukkah, Yiddish Theater is similar to Out for Love, Be Back Shortly in that it tells a personal story, that of Zipporah Spaisman, and extrapolates it to a broader theme, being an artist longing for a larger audience. Yiddish Theater is a markedly Jewish documentary because Judaism plays a prominent role throughout the film, not only due to its Yiddish topic, but moreover, because the entire film occurs concurrently with the eight days of Hanukkah, and culminates in a miracle, just like Hanukkah. Although Katzir and Markus once again utilized a personal story to tell a larger story, based on the central theme of Yiddish and the use of Hanukah, it is apparent that, after their immigration to the United States, Dan Katzir and Ravit Markus’s art became noticeably more Jewish.