The Videographic Essay: Practice and PedagogyMain MenuThe Videographic EssayTable of ContentsIntroduction, Acknowledgements, and Further ReadingScholarship in Sound & Image: A Pedagogical EssayPedagogical essay authored by Christian Keathley and Jason MittellDissolves of PassionIn Dialogue: Eric Faden and Kevin B. LeeBecoming Videographic Critics: A Roundtable ConversationA conversation among practitioners curated by Jason MittellStar Studies in TransitionBut Is Any Of This Legal?Videographic ExercisesGallery of All ExercisesCreditsChristian Keathley0199b522721abf067a743773a226b6064fe22f8cJason Mittell06e96b1b57c0e09d70492af49d984ee2f68945deCatherine Grantc9eab209ad26b2e418453515f6418aa2cbe20309
Abstract Trailer for Deadwood
12019-06-11T19:48:19-07:00Jason Mittell06e96b1b57c0e09d70492af49d984ee2f68945de75431An abstract trailer by Sean O'Sullivanplain2019-06-11T19:48:19-07:00Jason Mittell06e96b1b57c0e09d70492af49d984ee2f68945deSean O’Sullivan’s project promised to rebut the claim that television is not concerned with the subtleties of style and meaning like its cousin cinema by exploring the use of the rack focus over the three seasons of HBO’s Deadwood (U.S.A., 2004–6).
12019-06-11T19:47:34-07:00Abstract Trailer for Deadwood1An abstract trailer for Deadwoodplain2019-06-11T19:47:34-07:00Critical Commons2018VideoDeadwoodSean O'Sullivan2019-06-11T19:43:01Z