Understory 2019Main MenuMastheadFrom the Student Editors and FacultyCreative Works: PoetryTuesday Afternoon: NostalgiaMeditationLiminality in Six PartsShellObsession and IrreverenceSummer SweetheartsSolstice and TrepidationAutumn PoemsMagpie HymnThis is How You Derail a Train: After Ernest Hemingway’s “Who Killed the Vets?”Doubting the BranchShe'd be a Baby in FranceGoodbye Hometown HeroMyself a Stern TreeA Brief Glimpse of a Brief SeasonWinter PoemsGirl WoundThe Things I've SeenAuroraReceiver of GriefMy Grandmother's Willow TreeRed Berry TreeDark SymphonySolitudeSpring PoemsPortrait of a DaffodilI Walk OnAfter YouDefinitionsHalf Empty, Half FullEavesdropperSpace BoyCathedralsMr. Goo-gle60 Feet DownNo Escape: A post-blast VignetteSpaceMiceWarThe Cat ShelterScholarship in English Studies: Literary StudiesPlatonic Emulation—How the Weight of History has come to Define PoetryPoetry as IlluminationCan I Rely on You?Heroes Through the Ages: Defining the British Dream through Heroes in LiteratureBorn from the Dreams of a People, an Empire AwokeScholarship in English Studies: Rhetoric and LinguisticsSynthetic LanguageYarn Bombing as Multimodal RhetoricEffecting Persuasion: How Adapting Rhetoric Informs the ResponseA Facebook Post: Identity through the TechnoscapeWe Who Demand BetterThe Rhetoric of Race, Gender, and Sexuality in Video Games and Video Game Communities: How Representation and Reception Can Change the Way Players See Their and Others’ IdentitiesWhy Have Female-Only Characters in For Honor?Posters: Alaska EnglishesRace and Internment: World War II from an Alaskan PerspectiveWrapping Up ‘Wrap It Up AK'The Letters of John MuirRewriting Alaska History with the Word “Genocide"University of Alaska Anchorage Department of Englishdfa0ec4bec9eb2e87270c48641b61a5da7951c18 UA is an AA/EO employer and educational institution and prohibits illegal discrimination against any individual: www.alaska.edu/nondiscrimination
Creative Works: Prose
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