Style and "Substance"Main MenuPhilosophy and the ArtsWhat can philosophy do for the arts?Ontological FractalOntological MappingArt CommentaryStudent ObservationsArchaic Eternal ReturnPresocratic ClassicalSocratic Late ClassicalPlatonicNominalist RenaissanceAneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72eaJmedina29ac3fc10003fb639ac412984b59b01a5b826e161Ian Lehineb028c384a69e4b92166e7791b002fa3f2cee5818Published by Aneesah Ettress
Aphrodite of Milos
12017-03-08T15:01:46-08:00Aneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72ea148585Alexandros of Antioch, 130 BCE, marble, 203 cm, Louvre, Parisplain2017-07-20T11:34:10-07:00Wikimedia Commons130BCE36.691446, 24.393566marbleMilos, GreeceAlexandros of AntiochAneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72ea
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1media/irascible-2006.jpg2017-03-27T13:50:30-07:00Aneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72eaSocratic Late ClassicalAneesah Ettress16Platonictimeline2017-10-10T13:38:48-07:00Aneesah Ettressaef5effc74a7015f877dd59f557cf7172f5a72ea