Main MenuOverview by Sujata Iyengar and Nathalie Vienne-Guerrin'Henry V' : A Guide to Early Printed Editions by Daniel YabutPistol and Monsieur Le Fer: An Anglo-French Encounter by Charlène CruxentUniversité Paul-Valéry Montpellier 3, IRCL, UMR5186 CNRSMaking & Unmaking National Identity: Race & Ethnicity in Shakespeare’s 'Henry V' by Nora Galland'Henry V' Onstage: From the Falklands War to Brexit (1986-2018) by Janice Valls-RussellThe Problematic Reception of 'Henry V' in France: A Case Study by Florence March“For ’tis your thoughts that now must deck our kings”: Henry’s Popular Afterlives by Philip Gilreath“On your imaginary forces work”: How 'Henry V'’s Chorus Changes the Play Text during Olivier’s Film by Julia KoslowskyA Guide to Teaching 'Henry V' and its Sources by Hayden BensonStudy QuestionsKey Scenes and Speeches from 'Henry V'Back Matter
“with rough and all-unable pen…” : Source Study and Historiography in Shakespeare’s 'Henry V' by Mikaela LaFave
1media/Title Page with CC License.jpg2019-01-30T21:08:33-08:00Julia Koslowsky567e8011960119228860c6a7c06189d32b98838fFOCUS ON "HENRY V"Sujata Iyengar35book_splash2019-07-05T14:45:57-07:00Sujata Iyengarfbe074df710a5cd8b25e3570885f735f9ed74e43
12019-06-07T14:08:24-07:00Mikaela LaFave6b1e7bce44da9f7dd41ed238b99ed06b99943750Chronicles: The Early Modern “History” Book8plain2019-06-18T20:43:11-07:00Margaret Drydene495a2b34ce16b3b4f627260f96e0854f2e43c21
12019-06-07T14:25:18-07:00Mikaela LaFave6b1e7bce44da9f7dd41ed238b99ed06b99943750Drayton’s Ballad: “The Ballad of Agincourt”10plain2019-06-26T16:12:27-07:00Margaret Drydene495a2b34ce16b3b4f627260f96e0854f2e43c21
12019-06-07T14:36:19-07:00Mikaela LaFave6b1e7bce44da9f7dd41ed238b99ed06b99943750Other Sources: Drama and Music19plain2019-06-26T16:13:17-07:00Margaret Drydene495a2b34ce16b3b4f627260f96e0854f2e43c21
12019-06-07T14:39:06-07:00Mikaela LaFave6b1e7bce44da9f7dd41ed238b99ed06b99943750Conclusion and Further Reading2plain2019-06-26T16:18:22-07:00Margaret Drydene495a2b34ce16b3b4f627260f96e0854f2e43c21