Curating in the Continuous Present: A Rehearsal For Gertrude Stein's Objects Lie on a Table

The Gallery is a Room in a House

Stein's plays often included everything that was going on around her, as if a record of the context in which she was writing. A complimentary strategy for this exhibition, already arranged compositions leave the gallery space to occupy other positions in the “house,” as in DeFreitas’ “migratory Mary’s,” (if you look closely she moves), 2016, found, at times, in the Hart House Chapel, or just outside the gallery doors, en route. But more importantly, the same is true for the activities otherwise going on in the house, which enter the gallery, such as the Hart House Theatre Coalition, whose members stage a workshop production of the play twice during the exhibition, or, the Literary and Library Committee, whose curatorial intervention comprised of books and objects moves between the gallery and the Hart House Library. Like Stein’s Salon, the gallery is a room in a house and the exhibition, like Stein's play, is composed of the activities that comprise its dynamic milieu.



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