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Shel Silverstein Audio Essay

~The Audio Essay~

Objectives:

Create an audio essay that brings together poetry and either 1) personal experience or 2) cultural concerns. First, identify a poem that speaks to an event, change, or experience in your life or to a cultural concern (e.g., consumerism, gender, war, relationships, etc.) You can choose any poem, but you may want to think about sonic elements of the poems you consider as you decide.

If you choose to relate the poem to personal experience, you can make decisions about how personal this aspect of the discussion might be. Think of Steph Ceraso's "Soundscape" and the way it discusses her moving from one city to another. There is personal background in the piece, but it is used in the service of discussing the subject of the essay. In the same way, your audio essay can resonate with you personally and provide a story about your life, but the focus should still circle back to the poem.

​If you choose to relate the poem to an aspect of culture, you will want to find a compelling angle--e.g., instead of linking a poem to "gender" you might connect it with "toys for young girls" or some other concrete area of focus. You may want to conduct some research into this aspect of culture, and then try to find ways take the cultural topic and create a "story" that gives the audio essay focus and pulls the listener in.



Original Audio Essay:

 

As young children, we long for the day that we can read independently, articulating and understanding a world of fiction for ourselves for the first time. We start with picture books and progress into the uncharted water of pages exclusively of text. Somewhere along the way, we have all encountered the poetic realm of children’s author, Shel Silverstein.

 

On the surface, the poems of Silverstein’s collection of works, Where the Sidewalk Ends, seem to only tackle the concerns of a typical adolescent:  friendship, happiness, compassion – intangible things made tangible through Silverstein’s clever examples.

 

Masks

 

Sound of a murmur of a crowd

 

Female Voice: She had blue skin,
Male Voice: And so did he.
                      He kept it hid
Female Voice: And so did she.
Male Voice: They searched for blue
Female Voice: Their whole life through,
Male Voice: Then passed right by-
Both Voices in Unison: And never knew.

Sound of glass breaking

Good idea ding

We are nothing if we are not ourselves. Fronts and facades are walls that separate us from happiness.

 

 

How Many, How Much?

How many slams in an old screen door?
Depends how loud you shut it.

Door slamming

How many slices in a bread?
Depends how thin you cut it.

Sound of knives

How much good inside a day?
Depends how good you live em.

Laughter

How much love inside a friend?
Depends how much you give em.

Cheers

 

Good idea ding

 

Life cannot be quantified. It is lived to the fullest through a good attitude and the right perspective.

 

Pleasant nature sounds

 

 

 

 

Where the Sidewalk Ends

 

There is a place where the sidewalk ends
And before the street begins,
And there the grass grows soft and white,
And there the sun burns crimson bright,
And there the moon-bird rests from his flight
To cool in the peppermint wind.

Sounds of traffic
 

Let us leave this place where the smoke blows black
And the dark street winds and bends.
Past the pits where the asphalt flowers grow
We shall walk with a walk that is measured and slow,
And watch where the chalk-white arrows go
To the place where the sidewalk ends.

 

String music

Yes we'll walk with a walk that is measured and slow,
And we'll go where the chalk-white arrows go,
For the children, they mark, and the children, they know
The place where the sidewalk ends.

 

Good idea ding

 

There is a purpose to it all; there is life after death. All we need to do is keep our eyes open and have a little faith.

 

Readers may grow out of Silverstein’s poems, but if they do ever revisit these classics, they are sure to be in for a surprisingly apt life lesson. As readers mature, so do the poems’ take-aways, making Silverstein not only a genius poet but a timeless author as well. 


Feedback:

Professor Anderson suggests...

  • The addition of a smoother introduction
  • A more cohesive angle throughout the essay ("Life Lessons")
  • More variety in terms of narration
  • More explanation of each poem


Revised Audio Essay:




Shel Silverstein Audio Essay


As young children, we long for the day that we can
read independently, articulating and understanding a world of fiction for
ourselves for the first time. We start with picture books and progress into the
uncharted water of pages exclusively of text. Somewhere along the way, we have
all encountered the poetic realm of children’s author, Shel Silverstein.


On the surface, the poems of Silverstein’s collection
of works, Where the Sidewalk Ends, seem to only tackle the concerns of a
typical adolescent:  friendship,
happiness, compassion – intangible things made tangible through Silverstein’s
clever examples.



Digging a little deeper, there are many subtle, yet
powerful life lessons to be learned from these children’s poems. Silverstein
tackles themes such as identity, perspective, and religion, all through witty
metaphor.


“Masks”


Sound of a murmur of a crowd


Female Voice: She had blue skin,

Male Voice: And so did he.

                      He kept it hid

Female Voice: And so did she.

Male Voice: They searched for blue

Female Voice: Their whole life through,

Male Voice: Then passed right by-

Both Voices in Unison: And never knew.



Sound of glass breaking


Good idea ding


Through the use of these two masked individual,
Silverstein indicates that much is to be lost from concealing our true selves
from the world around us.We are nothing if we are not ourselves. Fronts and
facades are walls that separate us from happiness.



“How Many, How Much?”



How many slams in an old screen door?

Depends how loud you shut it.



Door slamming



How many slices in a bread?

Depends how thin you cut it.



Sound of knives



How much good inside a day?

Depends how good you live em.



Laughter




How much love inside a friend?

Depends how much you give em
.



Cheers



 

Good idea ding


Silverstein starts with poems with tangible acts and
concludes with intangible relationships, but each example he lists has one
thing in common: they are all centered around effort. Whether it is shutting a
door or maintaining a friendship, you get back what you out into it. More often
than not in life, effort and outcome have a direct relationship.



Pleasant nature sounds



 


Where the Sidewalk Ends



There is a place where the sidewalk ends

And before the street begins,

And there the grass grows soft and white,

And there the sun burns crimson bright,

And there the moon-bird rests from his flight

To cool in the peppermint wind.




Sounds of traffic



Let us leave this place where the smoke blows black

And the dark street winds and bends.

Past the pits where the asphalt flowers grow

We shall walk with a walk that is measured and
slow,


And watch where the chalk-white arrows go

To the place where the sidewalk ends.




String music



Yes we'll walk with a walk that is measured and
slow,


And we'll go where the chalk-white arrows go,

For the children, they mark, and the children,
they know


The place where the sidewalk ends.




Good idea ding



As Silverstein’s most popular work, this poem
encompasses the whole collection, tying them all together with a common thread.
Silverstein states that children know the place where the sidewalk ends and
they draw “chalk white arrows” to point the way. Whether this mystic place is
heaven or just a representation of a fulfilled life, each one of Silverstein’s
poems in this collection could be viewed as a “white chalk arrow” in its own
right, as each one carries with it a message on how to live a better life. There
is a purpose to it all; there is life after death. All we need to do is keep
our eyes open and have a little faith.





Readers may grow out of Silverstein’s poems, but if
they do ever revisit these classics, they are sure to be in for a surprisingly
apt life lesson. As readers mature, so do the poems’ take-aways, making
Silverstein not only a genius poet but a timeless author as well.



Look deeper. Take Silverstein’s advice. Follow the
chalk white arrows.


Audio Essay Revision Video:


Reflection:
 
While I really enjoyed the subject matter of this assignment, I found it to be the most challenging project by far. I hate hearing my voice on recording and struggled take after take to find a version of my voice that worked well with the other sonic elements. 

After my first attempt, I think I did well weaving in the audio elements in a manner that made sense and was enticing to a listener. My format (poem, ding, explanation) may have come off as a little choppy, but it was formulaic and systematic, which I personally value. I also think this set-up worked well (especially after revisions) to proving my overarching point, that these children's poems carry deeper meanings.

I completely agreed with the feedback that I received on this project. Each poem needed to be fleshed out a little more and the whole essay desperately required some unification. What this challenged me to do was find a way to bring each poem all under a single umbrella. Professor Anderson suggested "Life Lessons" as a unifying factor. In the end, I used that concept, but as I was reanalyzing the final poem, I picked up on the "white chalk arrow" motif and starting thinking about how that could apply to the collection as whole. 

In reflection, I think that this piece was my weakest in the portfolio to start, but is now a strong audio essay that I am definitely proud of. This assignment taught me the value in constructive feedback, as it is what improved the essay. Additionally, I learned that much of traditional essay writing can be applied to the audio platform. I followed the keyhole essay format with a introduction that led to a thesis, three supporting points, and a conclusion that tied everything together. The sonic elements in no way took away from the amount of analysis that was needed to be done, but rather made the finished product much more dynamic.



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