bibliography portuguese
Bibliografia
Esta bibliografia selecionada oferece um conjunto de obras que refletem as diferentes maneiras em que os estudos da performance têm sido conceitualizados em todas as Américas.
Anderson, Patrick. 2010. So Much Wasted: Hunger, Performance, and the Morbidity of Resistance. Durham/London: Duke University Press.
Alcázar, Josefina and Ileana Dieguez, eds. 2005. Performance y teatralidad. México, D.F: CITRU.
Alvarez, Natalie, ed. 2012. “Performance Studies in Canada.” Special issue of Canadian Theatre Review 149.
---. 2013. Latina/o Canadian Theatre and Performance. Toronto, ON: Playwrights Canada Press.
Austin, J. L. 1962. How To Do Things with Words. Cambridge: Harvard University Press.
Bial, Henry, ed. 2004. The Performance Studies Reader. London and New York: Routledge.
Butler, Judith. 1990. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge
---. 1997. Excitable Speech: A Politics of the Performative. New York: Routledge.
Boal, Augusto. 1974. Teatro del oprimido y otras poéticas políticas. Buenos Aires: Ediciones de la Flor.
---. 1985. Theatre of the Oppressed. Translated by Charles A. and Maria-Odilia Leal McBride. New York: Theatre Communications Group.
---. 1996. Teatro Legislativo. Rio de Janeiro: Civilização Brasileira.
---. 1998. Legislative Theatre: Using Performance to Make Politics. Translated by Adrian Jackson. New York: Routledge.
Alcázar, Josefina and Ileana Dieguez, eds. 2005. Performance y teatralidad. México, D.F: CITRU.
Alvarez, Natalie, ed. 2012. “Performance Studies in Canada.” Special issue of Canadian Theatre Review 149.
---. 2013. Latina/o Canadian Theatre and Performance. Toronto, ON: Playwrights Canada Press.
Austin, J. L. 1962. How To Do Things with Words. Cambridge: Harvard University Press.
Bial, Henry, ed. 2004. The Performance Studies Reader. London and New York: Routledge.
Butler, Judith. 1990. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge
---. 1997. Excitable Speech: A Politics of the Performative. New York: Routledge.
Boal, Augusto. 1974. Teatro del oprimido y otras poéticas políticas. Buenos Aires: Ediciones de la Flor.
---. 1985. Theatre of the Oppressed. Translated by Charles A. and Maria-Odilia Leal McBride. New York: Theatre Communications Group.
---. 1996. Teatro Legislativo. Rio de Janeiro: Civilização Brasileira.
---. 1998. Legislative Theatre: Using Performance to Make Politics. Translated by Adrian Jackson. New York: Routledge.
---. 2012. Teatro do oprimido e outras poéticas políticas. 12a ed. Rio de Janeiro: Civilização Brasileira.
Brooks, Daphne. 2006. Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850-1910. Durham: Duke University Press.
Browning, Barbara. 1995. Samba: Resistance in Motion. Bloomington: Indiana University Press.
---. 1998. Infectious Rhythm: Metaphors of Contagion and the Spread of African Culture. New York: Routledge.
Camargo, Robson Corrêa de, Eduardo José Reinato, and Heloisa Capel. 2011. Performances culturais. São Paulo: Hucitec Editora : Editora da PUC-GO.
Carlson, Marvin. 1996. Performance: A Critical Introduction. New York and London: Routledge.
Case, Sue-Ellen, Philip Brett, and Susan Leigh Foster, eds. 1995. Cruising the Performative: Interventions into the Representation of Ethnicity, Nationality, and Sexuality. Bloomington: Indiana University Press.
Clough, Patricia and Jean Halley, eds. The Affective Turn: Theorizing the Social. Durham: Duke University Press, 2007.
Cohen, Renato. 2002. Performance Como Linguagem: Criação de Um Tempo-espaço de Experimentação. São Paulo: Editora Perspectiva.
Cole, Catherine. 2010. Performing South Africa’s Truth Commission: Stages of Transition. Bloomington: Indiana University Press.
Connerton, Paul. 1989. How Societies Remember. New York: Cambridge University Press.
Conquergood, Dwight. 2013. Cultural Struggles: Performance, Ethnography, Praxis. Edited and with an introduction by E. Patrick Johnson. Ann Arbor: The University of Michigan Press.
Contreras Castro, Anabelle. 2009. “Los estudios de performance a la universidad y la universidad a la calle” Conjunto. No 153 (octubre-diciembre): 22-29.
Cvetokovich, Ann. 2003. An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures. Durham: Duke University Press.
Davis, Tracy. 2008. The Cambridge Companion to Performance Studies. New York: Cambridge University Press.
Delgado, Celeste Fraser, and José Esteban Muñoz, eds. 1997. Everynight Life: Culture and dance in Latin/o America. Durham: Duke University Press.
Diéguez, Ileana. 2007. Escenarios Liminales. Buenos Aires: ATUEL.
---, ed. 2009. Des/tejiendo Escenas. Desmontajes: procesos de investigación y creación. México, DF: UIA/CITRU/INBA/CNA.
Dolan, Jill. 1993. Presence and Desire: Essays on Gender, Sexuality, Performance. Ann Arbor: University of Michigan Press.
Falabella, Soledad, Graciela Huinao, and Roxana Miranda Rupailaf, eds. 2009. Hilando en la memoria: Epu rupa. Santiago: Cuarto Propio.
Felman, Shoshana. 2003. The Scandal of the Speaking Body: Don Juan with J. L. Austin, or Seduction in Two Languages. Stanford, CA: Stanford University Press.
Ferreira, Franciros e Campos Barbosa, and Regina Polo Müller, orgs. 2010. Performance arte e antropologia. São Paulo: Editora Hucitec.
Filewod, Alan. 2002. Performing Canada: The Nation Enacted in the Imagined Theatre. Kamloops, B.C.: Textual Studies in Canada.
Fischer-Lichte, Erika. 2008. The Transformative Power of Performance: A New Aesthetics. New York: Routledge.
Goffman, Erving. 1959. The Presentation of Self in Everyday Life. Garden City, NY: Doubleday.
Goldberg, RoseLee. 2011. Performance Art: From Futurism to the Present. 3rd ed. London; New York: Thames & Hudson.
Greiner, Christine, and Armindo Bião, orgs. 1998. Etnocenologia: textos selecionados. São Paulo, SP, Brasil: Annablume.
Householder, Johanna and Tanya Mars, eds. 2004. Caught in the Act: An Anthology of Performance Art by Canadian Women. Toronto: YYZ Books.
Hughes, Holly. 1996. Clit Notes: A Sapphic Sampler. New York: Grove Press.
Hurley, Erin. 2011. National Performance: Representing Quebec from Expo 67 to Céline Dion. Toronto: University of Toronto Press.
Jackson, Shannon. 2004. Professing Performance: Theatre in the Academy from Philology to Performativity. New York: Cambridge University Press.
Jones, Amelia and Adrian Heathfield, eds. 2012. Perform, Repeat, Record: Live Art in History. Bristol: Intellect and the University of Chicago Press.
Kapchan, Deborah. 2007. Traveling Spirit Masters: Moroccan Gnawa Trance and Music in the Global Marketplace. Middletown, CT: Wesleyan University Press.
Kirshenblatt-Gimblett, Barbara. 1998. Destination Culture: Tourism, Museums, and Heritage. Berkeley: University of California Press.
Knowles, Ric, ed. 2009. "Intercultural Performance." Special issue of Canadian Theatre Review 139 (summer).
Kulchyski, Peter K. 2005. Like the Sound of a Drum: Aboriginal Cultural Politics in Denendeh and Nunavut. Winnipeg: University of Manitoba Press.
Lane, Jill. 2005. Blackface Cuba, 1840-1895. Philadelphia: University of Pennsylvania Press.
Le Breton, David. 2007. Adiós al cuerpo: Una teoría del cuerpo en extremo contemporáneo. México: La Cifra Editorial.
Lepecki, André, ed. 2004. Of the Presence of the Body: Essays on Dance and Performance Theory. Middleton: Wesleyan University Press.
---. 2006. Exhausting Dance: Performance and the Politics of Movement. New York: Routledge.
Levin, Laura, ed. 2011. Theatre and Performance in Toronto. Toronto: Playwrights Canada Press.
Levin, Laura and Marlis Schweitzer, eds. N.d. The Performance Studies (Canada) Project. Web. 6 Nov. 2013. < www.performancecanada.com.>
Ligiéro, Zeca, ed. 2003. Edição Especial, O Percevejo, no. 12.
---. 2011. Corpo a corpo: estudo das perfomances brasileiras. Rio de Janeiro, Brasil: Garamond.
Martín Barbero, Jesús. 1993. Communication, Culture, and Hegemony: From the Media to Mediations. London: SAGE.
Martins, Leda Maria. 1995. A cena em sombras. São Paulo: Editora Perspectiva.
Mayer, Mónica. 2004. Rosa Chillante: Mujeres y Performance. México, DF: CONACULTA/FONCA.
Muñoz, José E. 1999. Disidentifications: Queers of Color and the Performance of Politics. Minneapolis: University of Minnesota Press.
---. 2009. Cruising Utopia: The Then and There of Queer Futurity. New York: New York University Press.
Nyong’o, Tavia. 2009. The Amalgamation Waltz: Race, Performance, and the Ruses of Memory. Minneapolis: University of Minnesota Press.
Parker, Andrew, and Eve K. Sedgwick. 1995. Performativity and Performance. New York: Routledge.
Pellegrini, Ann. 2007. “‘Signaling through the Flames’: Hell House Performance and Structures of Religious Feeling,” in American Quarterly Special Issue: Religion and Politics in the Contemporary United States, edited by R. Marie Griffith and Melani McAlister, 911-935. Baltimore: Johns Hopkins University Press.
Phelan, Peggy. 1993. Unmarked: The Politics of Performance. New York: Routledge.
Phelan, Peggy and Jill Lane, eds. 1998. The Ends of Performance. New York: New York University Press.
Pollock, Della. 1998. Exceptional Spaces: Essays in Performance and History. Chapel Hill: University of North Carolina Press.
Prieto Stambaugh, Antonio. 2001. “Cuatro décadas de acción no- objetual en México.” Conjunto. Revista de teatro latinoamericano 121 (abril-junio): 50-59.
---. 2002. “En torno a los estudios de performance, la teatralidad y más.” Web. November 9, 2013 < http://performancelogia.blogspot.com/2007/08/en-torno-los-estudios-del-performance.html>
Reguillo, Rossana. 1991. En la calle otra vez: Las bandas: Identidad urbana y usos de la comunicación. Guadalajara: ITESO.
Reinelt, Janelle G. and Joseph R. Roach, eds. 1992. Critical Theory and Performance. Ann Arbor: University of Michigan Press.
Restrepo, José Alejandro. 2006. Cuerpo gramatical. Cuerpo, arte y violencia. Bogotá: Universidad de los Andes
Ribeiro, José Augusto. 2015. Caderno Sesc_Videobrasil 01: performance. São Paulo: SESC-SP; Associação Cultural Videobrasil.
Richard, Alain-Martin and Clive Robertson, eds. 1991. Performance Au Canada, 1970-1990. Québec: Éditions Intervention.
Riley, Shannon and Lynette Hunter, eds. 2009. Mapping Landscapes for Performance as Research: Scholarly Acts and Creative Cartographies. New York: Palgrave Macmillan.
Roach, Joseph. 1996. Cities of the Dead: Circum-Atlantic Performance. New York: Columbia University Press.
Rusted, Brian, ed. 2012. Performance Ethnography. Special issue of Canadian Theatre Review 151 (summer).
Scarry, Elaine. 1985. The Body in Pain: The Making and Unmaking of the World. New York: Oxford University Press.
Schechner, Richard. 1985. Between Theater and Anthropology. Philadelphia: University of Pennsylvania Press.
---. 2003. Performance Theory. 2nd rev. ed. London and New York: Routledge.
Brooks, Daphne. 2006. Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850-1910. Durham: Duke University Press.
Browning, Barbara. 1995. Samba: Resistance in Motion. Bloomington: Indiana University Press.
---. 1998. Infectious Rhythm: Metaphors of Contagion and the Spread of African Culture. New York: Routledge.
Camargo, Robson Corrêa de, Eduardo José Reinato, and Heloisa Capel. 2011. Performances culturais. São Paulo: Hucitec Editora : Editora da PUC-GO.
Carlson, Marvin. 1996. Performance: A Critical Introduction. New York and London: Routledge.
Case, Sue-Ellen, Philip Brett, and Susan Leigh Foster, eds. 1995. Cruising the Performative: Interventions into the Representation of Ethnicity, Nationality, and Sexuality. Bloomington: Indiana University Press.
Clough, Patricia and Jean Halley, eds. The Affective Turn: Theorizing the Social. Durham: Duke University Press, 2007.
Cohen, Renato. 2002. Performance Como Linguagem: Criação de Um Tempo-espaço de Experimentação. São Paulo: Editora Perspectiva.
Cole, Catherine. 2010. Performing South Africa’s Truth Commission: Stages of Transition. Bloomington: Indiana University Press.
Connerton, Paul. 1989. How Societies Remember. New York: Cambridge University Press.
Conquergood, Dwight. 2013. Cultural Struggles: Performance, Ethnography, Praxis. Edited and with an introduction by E. Patrick Johnson. Ann Arbor: The University of Michigan Press.
Contreras Castro, Anabelle. 2009. “Los estudios de performance a la universidad y la universidad a la calle” Conjunto. No 153 (octubre-diciembre): 22-29.
Cvetokovich, Ann. 2003. An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures. Durham: Duke University Press.
Davis, Tracy. 2008. The Cambridge Companion to Performance Studies. New York: Cambridge University Press.
Delgado, Celeste Fraser, and José Esteban Muñoz, eds. 1997. Everynight Life: Culture and dance in Latin/o America. Durham: Duke University Press.
Diéguez, Ileana. 2007. Escenarios Liminales. Buenos Aires: ATUEL.
Dolan, Jill. 1993. Presence and Desire: Essays on Gender, Sexuality, Performance. Ann Arbor: University of Michigan Press.
Falabella, Soledad, Graciela Huinao, and Roxana Miranda Rupailaf, eds. 2009. Hilando en la memoria: Epu rupa. Santiago: Cuarto Propio.
Felman, Shoshana. 2003. The Scandal of the Speaking Body: Don Juan with J. L. Austin, or Seduction in Two Languages. Stanford, CA: Stanford University Press.
Ferreira, Franciros e Campos Barbosa, and Regina Polo Müller, orgs. 2010. Performance arte e antropologia. São Paulo: Editora Hucitec.
Filewod, Alan. 2002. Performing Canada: The Nation Enacted in the Imagined Theatre. Kamloops, B.C.: Textual Studies in Canada.
Fischer-Lichte, Erika. 2008. The Transformative Power of Performance: A New Aesthetics. New York: Routledge.
Goffman, Erving. 1959. The Presentation of Self in Everyday Life. Garden City, NY: Doubleday.
Goldberg, RoseLee. 2011. Performance Art: From Futurism to the Present. 3rd ed. London; New York: Thames & Hudson.
Greiner, Christine, and Armindo Bião, orgs. 1998. Etnocenologia: textos selecionados. São Paulo, SP, Brasil: Annablume.
Householder, Johanna and Tanya Mars, eds. 2004. Caught in the Act: An Anthology of Performance Art by Canadian Women. Toronto: YYZ Books.
Hughes, Holly. 1996. Clit Notes: A Sapphic Sampler. New York: Grove Press.
Hurley, Erin. 2011. National Performance: Representing Quebec from Expo 67 to Céline Dion. Toronto: University of Toronto Press.
Jackson, Shannon. 2004. Professing Performance: Theatre in the Academy from Philology to Performativity. New York: Cambridge University Press.
Jones, Amelia and Adrian Heathfield, eds. 2012. Perform, Repeat, Record: Live Art in History. Bristol: Intellect and the University of Chicago Press.
Kapchan, Deborah. 2007. Traveling Spirit Masters: Moroccan Gnawa Trance and Music in the Global Marketplace. Middletown, CT: Wesleyan University Press.
Kirshenblatt-Gimblett, Barbara. 1998. Destination Culture: Tourism, Museums, and Heritage. Berkeley: University of California Press.
Knowles, Ric, ed. 2009. "Intercultural Performance." Special issue of Canadian Theatre Review 139 (summer).
Kulchyski, Peter K. 2005. Like the Sound of a Drum: Aboriginal Cultural Politics in Denendeh and Nunavut. Winnipeg: University of Manitoba Press.
Lane, Jill. 2005. Blackface Cuba, 1840-1895. Philadelphia: University of Pennsylvania Press.
Le Breton, David. 2007. Adiós al cuerpo: Una teoría del cuerpo en extremo contemporáneo. México: La Cifra Editorial.
Lepecki, André, ed. 2004. Of the Presence of the Body: Essays on Dance and Performance Theory. Middleton: Wesleyan University Press.
---. 2006. Exhausting Dance: Performance and the Politics of Movement. New York: Routledge.
Levin, Laura, ed. 2011. Theatre and Performance in Toronto. Toronto: Playwrights Canada Press.
Levin, Laura and Marlis Schweitzer, eds. N.d. The Performance Studies (Canada) Project. Web. 6 Nov. 2013. < www.performancecanada.com.>
Ligiéro, Zeca, ed. 2003. Edição Especial, O Percevejo, no. 12.
---. 2011. Corpo a corpo: estudo das perfomances brasileiras. Rio de Janeiro, Brasil: Garamond.
Martín Barbero, Jesús. 1993. Communication, Culture, and Hegemony: From the Media to Mediations. London: SAGE.
Martins, Leda Maria. 1995. A cena em sombras. São Paulo: Editora Perspectiva.
Mayer, Mónica. 2004. Rosa Chillante: Mujeres y Performance. México, DF: CONACULTA/FONCA.
Muñoz, José E. 1999. Disidentifications: Queers of Color and the Performance of Politics. Minneapolis: University of Minnesota Press.
---. 2009. Cruising Utopia: The Then and There of Queer Futurity. New York: New York University Press.
Nyong’o, Tavia. 2009. The Amalgamation Waltz: Race, Performance, and the Ruses of Memory. Minneapolis: University of Minnesota Press.
Parker, Andrew, and Eve K. Sedgwick. 1995. Performativity and Performance. New York: Routledge.
Pellegrini, Ann. 2007. “‘Signaling through the Flames’: Hell House Performance and Structures of Religious Feeling,” in American Quarterly Special Issue: Religion and Politics in the Contemporary United States, edited by R. Marie Griffith and Melani McAlister, 911-935. Baltimore: Johns Hopkins University Press.
Phelan, Peggy. 1993. Unmarked: The Politics of Performance. New York: Routledge.
Phelan, Peggy and Jill Lane, eds. 1998. The Ends of Performance. New York: New York University Press.
Pollock, Della. 1998. Exceptional Spaces: Essays in Performance and History. Chapel Hill: University of North Carolina Press.
Prieto Stambaugh, Antonio. 2001. “Cuatro décadas de acción no- objetual en México.” Conjunto. Revista de teatro latinoamericano 121 (abril-junio): 50-59.
---. 2002. “En torno a los estudios de performance, la teatralidad y más.” Web. November 9, 2013 < http://performancelogia.blogspot.com/2007/08/en-torno-los-estudios-del-performance.html>
Reguillo, Rossana. 1991. En la calle otra vez: Las bandas: Identidad urbana y usos de la comunicación. Guadalajara: ITESO.
Reinelt, Janelle G. and Joseph R. Roach, eds. 1992. Critical Theory and Performance. Ann Arbor: University of Michigan Press.
Restrepo, José Alejandro. 2006. Cuerpo gramatical. Cuerpo, arte y violencia. Bogotá: Universidad de los Andes
Ribeiro, José Augusto. 2015. Caderno Sesc_Videobrasil 01: performance. São Paulo: SESC-SP; Associação Cultural Videobrasil.
Richard, Alain-Martin and Clive Robertson, eds. 1991. Performance Au Canada, 1970-1990. Québec: Éditions Intervention.
Riley, Shannon and Lynette Hunter, eds. 2009. Mapping Landscapes for Performance as Research: Scholarly Acts and Creative Cartographies. New York: Palgrave Macmillan.
Roach, Joseph. 1996. Cities of the Dead: Circum-Atlantic Performance. New York: Columbia University Press.
Rusted, Brian, ed. 2012. Performance Ethnography. Special issue of Canadian Theatre Review 151 (summer).
Scarry, Elaine. 1985. The Body in Pain: The Making and Unmaking of the World. New York: Oxford University Press.
Schechner, Richard. 1985. Between Theater and Anthropology. Philadelphia: University of Pennsylvania Press.
---. 2003. Performance Theory. 2nd rev. ed. London and New York: Routledge.
---. 2012. Performance e Antropologia de Richard Schechner. Organizada por Zeca Ligiéro. Rio de Janeiro: Mauad.
---. 2013. Performance Studies: An Introduction. 3rd ed. London and New York: Routledge.
Schneider, Rebecca. 1997. The Explicit Body in Performance. London; New York: Routledge.
---. 2011. Performing Remains: Art and War in Times of Theatrical Reenactment. New York: Routledge.
Sedgwick, Eve Kosofsky. 2003. Touching Feeling: Affect, Pedagogy, Performativity. Durham: Duke University Press.
Serna, Javier. 2006. “Usos y desusos de la cultura teatral de Nuevo León en el sexenio de transición” Pasodegato: Revista mexicana de teatro. No 27 (octubre-diciembre): 52-54.
Taylor, Diana. 2003. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham: Duke University Press.
---. 2013. Performance Studies: An Introduction. 3rd ed. London and New York: Routledge.
Schneider, Rebecca. 1997. The Explicit Body in Performance. London; New York: Routledge.
---. 2011. Performing Remains: Art and War in Times of Theatrical Reenactment. New York: Routledge.
Sedgwick, Eve Kosofsky. 2003. Touching Feeling: Affect, Pedagogy, Performativity. Durham: Duke University Press.
Serna, Javier. 2006. “Usos y desusos de la cultura teatral de Nuevo León en el sexenio de transición” Pasodegato: Revista mexicana de teatro. No 27 (octubre-diciembre): 52-54.
Taylor, Diana. 2003. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham: Duke University Press.
---. 2012. O arquivo e o repertório. Traducido por Eliana Lourenço de Lima Reis. Belo Horizonte: UFMG.
---. 2014. El archivo y el repertorio. La memoria cultural performática en las Américas. Traducido por Anabelle Contreras. Chile: Ediciones Universidad Alberto Hurtado.
---. 2012. Performance. Buenos Aires: Asunto Impreso Ediciones.
---. 2012. Performance. Buenos Aires: Asunto Impreso Ediciones.
---. 2015 (forthcoming). Performance. Translated by Abigail Levine. Durham: Duke University Press.
Taylor, Diana and Marcela Fuentes, eds. 2011. Estudios avanzados de performance. México: Fondo de Cultura Económica.
Turner, Kay. 1999. Beautiful Necessity: The Art and Meaning of Women’s Altars. New York: Thames & Hudson.
Turner, Victor. 1986. The Anthropology of Performance. New York: PAJ Publications.
Turner, Victor and Ingrid Geist, eds. 2002. Antropología del Ritual. México: INAH.
Worthen, W.B. 1997. Shakespeare and the Authority of Performance. Cambridge and New York: Cambridge University Press.
Taylor, Diana and Marcela Fuentes, eds. 2011. Estudios avanzados de performance. México: Fondo de Cultura Económica.
Turner, Kay. 1999. Beautiful Necessity: The Art and Meaning of Women’s Altars. New York: Thames & Hudson.
Turner, Victor. 1986. The Anthropology of Performance. New York: PAJ Publications.
Turner, Victor and Ingrid Geist, eds. 2002. Antropología del Ritual. México: INAH.
Worthen, W.B. 1997. Shakespeare and the Authority of Performance. Cambridge and New York: Cambridge University Press.
Bibliografia compilada com a colaboração de:
· Sareh Afshar (New York University)
· Brian Batchelor (York University, Toronto)
· Laura Levin (York University)
· Shana MacDonald (University of Waterloo)
· Lourdes Pérez Cesari (Universidad Autónoma del Estado de Hidalgo)
· Leticia Robles-Moreno (New York University)
· Marcos Steuernagel (New York University Abu Dhabi)
· Kerry Whigham (New York University)
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