“Viral marketing depends on a high pass-along rate from person to person. If a large percentage of recipients forward something to a large number of friends, the overall growth snowballs very quickly. If the pass-along numbers get too low, the overall growth quickly fizzles.” marketingterms.com

• The Slow Writing Manifesto, Mark Sample
• Slow Food International
• The Art(s) of Slow Cinema, Nadine Mai
• Learning from YouTube, Alexandra Juhasz. In my many years of thinking about and spending time in YouTube, I found myself immersed in the same contradiction of the fast/slow rendered here: i.e. I demand the slow in a fast form of and format for writing (in the video-book I call this “a plea for long-form in short-form”). In the example from the book that I link to here, “Hildebrand on Joanie 4 Jackie (March 31, 2009),” I discuss the early VHS video-sharing project (by mail) of Miranda July, Joanie 4 Jackie (itself just recently moved to the internet, but with great depth and context, thanks to the work of Astria Suparak and others, allowing it to be one of those rare internet places that I’ve been referring to in this projectthat uses the space to construct depth through material). I wrote in 2009, when things were much less fast then they are today: “While at first look these VHS chain letters seem to be a dead or dying form ‘given the ease, access, and cost of sharing video on the Internet,’ I realized that what they will always have over YouTube is the actual, small community that can only be created by the painstaking and careful act of choosing to attach your work to an object that already has a community built onto and within it. The VHS chain letter permits the safety of the slow through the space of the movable box.”
• Joanie 4 Jackie, Miranda July