Reading Project

By Jessica Pressman, Mark C Marino and Jeremy Douglass



Reading Project

Bibliography

Acland, Charles. Swift Viewing: The Popular Life of Subliminal Influence. Durham: Duke University Press, 2011.
Aav, Marianne. Marimekko: Fabrics, Fashion, Architecture. New Haven: Yale University Press, 2003.
Arthur, Charles. “‘Flash Is the New Publishing Tool of the Century’” in The Guardian, April 4, 2007.
Barthelme, Donald. “The Balloon.” In Unspeakable Practices, Unnatural Acts. New York: Farrar, Straus and Giroux, 1968.
Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction.” In Illuminations. Ed. Hannah Arendt. Trans. by Harry Zohn. New York: Schocken Books, 1968.
Benschop, Ruth. “What is a Tachistoscope? Historical Explorations of an Instrument.” Science in Context 11.1 (1998): 23–50.
Best, Stephen and Sharon Marcus, “Surface Reading: An Introduction,” Representations 108 (Fall 2009): 1–21.
Bogost, Ian. “MAX 2005 – Visual Programming in Macromedia Flash & SOAP Web Services” in Ulitzer: Jim Webber, October 17, 2005.
Bersani, Leo “Is the Rectum a Grave?” October 43 (Winter 1987): 197–222.
Bolter, Jay David and Richard Grusin. Remediation: Understanding New Media. Cambridge, MA: MIT Press, 1999.
Burdick, Anne, Johanna Drucker, Peter Lunenfeld, Todd Presner, and Jeffrey Schnapp. Digital_Humanities. Cambridge, MA: MIT Press, 2012.
Carruthers, Mary. The Book of Memory: A Study of Memory in Medieval Culture. Cambridge: Cambridge University Press, 1992.
Chun, Wendy Hui Kyong. “Introduction: Did Somebody Say New Media?” In New Media, Old Media: A History and Theory Reader. Eds. Wendy Hui Kyong Chun and Thomas Keenan. New York: Routledge, 2006. 1–10.
———. Programmed Visions: Software as Memory. Cambridge, MA: MIT Press, 2011.
Colman, Andrew M. “Priming” in A Dictionary of Psychology. Oxford: Oxford University Press, 2008.
Couturier, Maurice and Régis Durand, “Donald Barthelme.” In Contemporary Writers (London, New York: Methuen, 1982.
Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the 19th Century. Cambridge, MA: MIT Press, 1990.
de Certeau, Michel. “Walking in the City.” The Practice of Everyday Life. Trans. Steven Rendall. Berkeley: University of California Press, 1984.
DeLillo, Don. White Noise. New York: Viking Press, 1985.
Derrida, Jacques. Aporias. Trans. Thomas Dutoit. Stanford: Stanford University Press, 1993.
———. “As If It Were Possible, ‘Within Such Limits’.” Paper Machine: Cultural Memory in the Present. Trans. Rachel Bowlby. 2001. Stanford: Stanford University Press, 2005.
Donaldson, Jeff . “Glossing over Thoughts on Glitch. A Poetry of Error.” ArtPulse Magazine. http://artpulsemagazine.com/glossing-over-thoughts-on-glitch-a-poetry-of-error.
Dyer-Witheford, Nick and Greig de Peuter. Games of Empire: Global Capitalism and Video Games. Minneapolis: University of Minnesota Press, 2009.
Electronic Literature Collection, Vol. 2. http://collection.eliterature.org/2/.
Estes, Adam Clark, “Adobe Quietly Surrender to Steve Jobs, Builds Flash Alternative.” Atlantic Wire. August 1, 2011. http://www.theatlanticwire.com/technology/2011/08/adobe-quietly-surrenders-steve-jobs-builds-flash-alternative/40669/.
Fish, Stanley. Surprised by Sin: the Reader in Paradise Lost. 1967. 2nd ed. Cambridge, MA: Harvard University Press, 1997.
Fitzpatrick, Kathleen. Planned Obsolescence: Publishing, Technology, and the Future of the Academy. New York: New York University Press, 2011.
Funkhouser, C.T. Prehistoric Digital Poetry: An Archaeology of Forms, 1959–1995. Tuscaloosa: University of Alabama Press, 2007.
Galloway, Alexander R. and Eugene Thacker. “On Narcolepsy.” The Spam Book: On Viruses, Porn, and Other Anomalies from the Dark Side of Digital Culture. Eds. Jussi Parikka and Tony D. Sampson. Cresskill, NJ: Hampton Press, 2009. 251–63.
Genette, Gerard. Paratexts: Thresholds of Interpretation. Trans. Jane E. Lewin. Cambridge: Cambridge University Press, 1997.
Gitelman, Lisa. Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era. Stanford: Stanford University Press, 1999.
Godnig, Edward C. “The Tachistoscope: Its History & Usages.” Journal of Behavioral Optometry 14.2 (2003): 39–42.
Goriunova, Olga and Alexei Shulgin. “Glitch,” in Software Studies: A Lexicon. Ed. Matthew Fuller. Cambridge, MA: MIT Press, 2008: 114.
Graham, Paul. “A Plan for Spam.” 2002. http://www.paulgraham.com/spam.html.
Hayles, N. Katherine. “Deeper into the Machine: The Future of Electronic Literature.” Culture Machine 5 (2003). http://www.culturemachine.net/index.php/cm/article/viewArticle/245/241.
———. “Hyper and Deep Attention: The Generational Divide in Cognitive Modes.” Profession (2007): 187–99.
———.Writing Machines. Cambridge, MA: MIT Press, 2002.
Henkin, David. The Postal Age: The Emergence of Modern Communications in
Nineteenth-Century America. Chicago: University of Chicago Press, 2006.
Huthamo, Erkki and Jussi Parikka. “Introduction: An Archaeology of Media Archaeology” in Media Archaeology: Approaches, Applications, and Implications.
Eds. Erkki Huhtamo and Jussi Parikka. Berkeley: University of California Press, 2011.
Jameson, Fredric. The Political Unconscious: Narrative as a Socially Symbolic Act. Ithaca, NY: Cornell University Press, 1981.
Jobs, Steve. “Thoughts on Flash,” Apple (April 2010). http://www.apple.com/hotnews/thoughts-on-flash/.
Johnson, Steven. Interface Culture: How New Technology Transforms the Way We Create and Communicate. New York: Basic Books, 1997.
Kenny, Anthony. The Computation of Style: An Introduction to Statistics for Students of Literature and Humanities. Oxford: Pergamon Press, 1982.
Key, Wilson Bryan. Subliminal Seduction: Ad Media’s Manipulation of a Not So Innocent America. New York: Signet, 1973.
Kirschenbaum, Matthew. Mechanisms: New Media and the Forensic Imagination. Cambridge, MA: MIT Press, 2008.
———. “Response: Close Reading the Digital.” MLA Convention 2011. Los Angeles. January 8, 2011.
Kittler, Friedrich. Discourse Networks 1800/1900. Trans. Michael Metteer, with Chris Cullens. 1985. Stanford: Stanford University Press, 1990.
———. Gramophone, Film, Typewriter. Trans. Geoffrey Winthrop-Young and Michael Wutz. 1986. Stanford: Stanford University Press, 1999.
Kneale, J. Douglas. “Deconstruction.” In The Johns Hopkins Guide to Literary Theory & Criticism. Eds. Michael Groden and Martin Kreiswirth. Baltimore: Johns Hopkins University Press, 1994. 185–91.
Krapp, Peter. Noise Channels: Glitch and Error in Digital Culture. Minneapolis: University of Minnesota Press, 2011.
Krapp, Steven and Walter Benn Michaels, “Against Theory.” Critical Inquiry 8.4 (Summer 1982), reprinted in Against Theory: Literary Studies and the New Pragmatism. Ed. W.J.T. Mitchell. Chicago: University of Chicago Press, 1985. 11–30.
Krauss, Rosalind. The Optical Unconscious. Cambridge, MA: MIT Press, 1996.
Macromedia. Macromedia Flash 5: Using Flash. San Francisco: Macromedia, 2000.
Manovich, Lev. “Generation Flash.” In New Media, Old Media: A History and Theory Reader. Eds. Wendy Hui Kyong Chun and Thomas Keenan. New York: Routledge, 2006. 209–18.
———. “What is Visualization?” Reprinted by Jaques. Data Visualization (blog), November 9, 2010. http://www.datavisualisation.org/2010/11/lev-manovich-what-is-visualization/.
Marino, Mark C. “Critical Code Studies.” Electronic Book Review, December 4, 2006. http://www.electronicbookreview.com/thread/electropoetics/codology.
Marquez, Gabriel Garcia. “A Very Old Man with Enormous Wings.” In Leaf Storm and Other Stories. New York: Harper Perennial, 1972.
McLuhan, Marshall. The Mechanical Bride: Folklore of Industrial Man. Berkeley: Gingko Press, 1951.
———. Understanding Media: The Extensions of Man. 1964. Cambridge, MA: MIT Press, 2001.
———. The Video McLuhan: 1972–1979. Videorecording. Narrated by Tom Wolfe.
Directed by Matthew Vibert. Toronto, Ont.: McLuhan Productions, 1996.
Mitchell, W.J.T. Picture Theory: Essays on Verbal and Visual Representation. Chicago: University of Chicago Press, 1994.
Montfort, Nick. “Continuous Paper: The Early Materiality and Workings of Electronic Literature.” MLA Convention 2004. Philadelphia. December 23, 2004.
http://nickm.com/writing/essays/continuous_paper_mla.html.
———, and Patsy Baudoin, John Bell, Ian Bogost, Jeremy Douglass, Mark C. Marino, Michael Mateas, Casey Reas, Mark Sample, and Noah Vawter. 10 PRINT CHR$(205.5+RND(1)); : GOTO 10. Cambridge, MA: MIT Press, 2012.
Moradi, Iman with Ant Scott, Joe Gilmore & Christopher Murphy. Designing Imperfection. Mark Batty, 2009.
Moretti, Franco. Atlas of the European Novel 1800–1900. 1997. New York: Verso, 2007.
———. Graphs, Maps, Trees: Abstract Models for a Literary History. New York: Verso, 2005.
Nietzsche, Friedrich. Beyond Good and Evil. New York: Oxford University Press, 2008.
Packard, Vance. The Hidden Persuaders. 1957. New York: Ig Publishing. 2007.
Panofsky, Erwin. Studies in Iconology: Humanistic Themes in the Art of the Renaissance. Oxford University Press, 1939.
Parikka, Jussi and Tony D. Sampson, eds. The Spam Book: On Viruses, Porn, and Other Anomalies from the Dark Side of Digital Culture. Cresskill, NJ: Hampton Press, 2009.
———. “On Anomalous Objects of Digital Culture: An Introduction.” The Spam Book: On Viruses, Porn, and Other Anomalies from the Dark Side of Digital Culture. Cresskill, NJ: Hampton Press, 2009: 1–18.
Paulson, William R. The Noise of Culture: Literature Texts in a World of Information. Ithaca, NY: Cornell University Press, 1988.
Perloff, Marjorie. Radical Artifice: Writing Poetry in the Age of Media. Chicago: University of Chicago Press, 1991.
Pinker, Steven. The Language Instinct: How the Mind Creates Language. New York: Harper Perennial, 1995. First published in 1994 by William Morrow.
Poole, Robert. Earthrise: How Man First Saw the Earth. New Haven: Yale University Press, 2008.
Poundstone, William. Digital Emblems. 2001. http://collection.eliterature.org/2
/works/poundstone_newdigitalemblems.html
.
———. Priceless: The Myth of Fair Value (and How to Take Advantage of It). New York: Hill and Wang, 2010.
———. “Project for Tachistoscope [Bottomless Pit].” 2005. Web. http://collection
.eliterature.org/1/works/poundstone_project_for_tachistoscope_bottomless_pit.html
.
———. “Spam Poem for Paul Graham.” 2005. http://www.williampoundstone.net/Spam/Spam.html.
Pressman, Jessica. Digital Modernism: Making it New in New Media. New York: Oxford University Press, 2014.
Richards, I.A. How to Read a Page: A Course in Efficient Reading with an Introduction to a Hundred Great Words. New York: W.W. Norton, 1942.
———. Practical Criticism: A Study of Literary Judgment. London: Harcourt, Brace, 1929.
———. Principles of Literary Criticism. 1924. New York: Routledge. 2001.
Salter, Anastasia, and John Murray. Flash: Building the Interactive Web. Cambridge, MA: MIT Press, 2014.
Sefton-Green, Julian. “Timelines, Timeframes and Special Effects: Software and Creative Media Production.” Education, Communication & Information 5.1 (March 2005): 99–110.
Scott, William. “Donald Barthelme and the Death of Fiction” in Critical Essays on Donald Barthelme. Ed. Richard F. Patterson. New York: Maxwell Macmillan International, 1992.
Smith, George Horsley. Motivation Research in Advertising and Marketing. New York: McGraw-Hill, 1954.
Solt, Mary Ellen. Concrete Poetry: A World View. Bloomington, IN: Indiana University Press, 1968.
Stefans, Brian Kim. Interview. “An Interview with William Poundstone.” The Iowa
Review Web 9.1 (2002). http://web.archive.org/web/20131004181052/http://
iowareview.uiowa.edu/TIRW/TIRW_Archive/tirweb/feature/poundstone/inter
view.html
.
Stewart, Melissa. “Roads of ‘Exquisite Mysterious Muck’: The Magical Journey through the City in William Kennedy’s Ironweed, John Cheever’s ‘The Enormous Radio,’ and Donald Barthelme’s ‘City Life’” in Magical Realism: Theory, History, Community. Eds. Lois Parkinson Zamora and Wendy B. Faris (Durham, NC: Duke University Press, 1995).
Templeton, Brad. “Origin of the term ‘spam’ to mean net abuse.” Templetons.com. June 30, 2012. http://www.templetons.com/brad/spamterm.html.
Vismann, Cornelia. Files: Law and Media Technology. Trans. Geoffrey WinthropYoung. Stanford: Stanford University Press, 2008.
Waldron, Rick. “How It Began.” Flash Magazine. November 20, 2000. http://www.flashmagazine.com/news/detail/the_flash_history/.
Whipple, Guy Montrose. Manual of Mental and Physical Tests. Baltimore: Warwick & York, 1914.
Wilson, Rawdon. “The Metamorphosis of Fiction Space: Magic Realism” in Magic
Realism: Theory, History, Community. Eds. Lois Parkinson Zamora and Wendy B. Faris. Durham, NC: Duke University Press, 1995.
Zielinski, Siegfried. Deep Time of the Media: Toward an Archaeology